“La Belle Noiseuse” (Jacques Rivette, 1991) Jacques Rivette’s four-hour masterpiece about the act of artistic creation turns the male gaze back on itself. True, it’s hard to think of the actress who’s needed to be naked onscreen for your longer duration of time in a single movie than Emmanuelle Beart is in this just one.
, on the list of most beloved films on the ’80s and a Steven Spielberg drama, has quite a bit going for it: a stellar cast, including Oscar nominees Whoopi Goldberg and Oprah Winfrey, Pulitzer Prize-successful source material and a timeless theme of love (in this case, between two women) being a haven from trauma.
This clever and hilarious coming of age film stars Beanie Feldstein and Kaitlyn Dever as two teenage best friends who decide to go to at least one last party now that high school is over. Dever's character has one of many realest young lesbian stories you will see in a very movie.
The film’s neon-lit first part, in which Kaneshiro Takeshi’s handsome pineapple obsessive crosses paths with Brigitte Lin’s blonde-wigged drug-runner, drops us into a romantic underworld in which starry-eyed longing and sociopathic violence brush within centimeters of each other and shed themselves in the same tune that’s playing on the jukebox.
Hopkins’ Hannibal Lecter is without doubt one of the great villains in film history, pairing his heinous acts with just the right amount of warm-but-slightly-off charm as he lulls Jodie Foster into a cat-and-mouse game for the ages. The film had to walk an extremely delicate line to humanize the character without ever falling into the traps of idealization or caricature, but Hopkins, Foster, and Demme were capable of do precisely that.
“Rumble in the Bronx” may very well be established in New York (however hilariously shot in Vancouver), but this Golden Harvest production is Hong Kong towards the bone, as well as 10 years’s single giddiest display of why Jackie Chan deserves his frequent comparisons to Buster Keaton. While the story is whatever — Chan plays a Hong Kong cop who comes to the large Apple for his uncle’s wedding and soon finds himself embroiled in some mob drama about stolen diamonds — the charisma is off the charts, the jokes join with the power of spinning windmill kicks, plus the Looney Tunes-like action sequences are more breathtaking than just about anything that experienced ever been shot on these shores.
For such a short drama, it's very well rounded and feels like a much longer story as a result of good planning and directing.
Set in Calvinist small town atop the Scottish Highlands, it's the first part of Von Trier’s “Golden Heart” trilogy as Watson plays a woman that has sexual intercourse with other Gentlemen to please her husband after an accident has left him immobile. —
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And nevertheless, for every bit of progress Bobby and Kevin make, there’s a setback, resulting within a roller coaster of hope and disappointment. Charbonier and Powell place the boys’ abduction within a larger context that’s deeply depraved and disturbing, however they find a suitable thematic balance that avoids any feeling of exploitation.
For such a singular artist and aesthete, Wes Anderson has always been comfortable with wearing his influences on his sleeve, rightly showing confidence that he can celebrate his touchstones without resigning to them. For proof, just look at the way his characters worship each other in order to find themselves — from Ned Plimpton’s childhood obsession with Steve Zissou, towards the moderate awe that Gustave H.
That Stanley Tong’s “Rumble during the Bronx” emerged from that shame of riches since the only Hong Kong action movie on this list is both a hindi bf perverse testament to the fact that everyone has their possess personal favorites — How does one pick between “Hard Boiled” and “Bullet while in the black porn videos Head?” — along with a clear reminder that 1 star managed to fight his way above the fray and conquer the world without leaving home behind.
Time seems to have stood still in this place with its black-and-white TV established and rotary phone, a couple of lonely pumpjacks groaning outside supplying the only sounds or movement for miles. (A “Make America Great pornktube Again” sticker over the back of the defeat-up car or truck is vaguely amusing but seems gratuitous, and it shakes us from the film’s foggy temper.)